ELASTE: Last Exit, First Return

From DIY zines to AI manifestos—culture never dies, it mutates.

ELASTE was born in club nights and backroom conversations—shaped by pop culture, politics, and the restless afterglow of 1970s New York, filtered through Hannover and Munich.
It grew out of what we called the Szene: DJs, bouncers, designers, photographers, publishers—people orbiting the same dance floors, arguing about art at dawn.

Four decades later, it surfaces again with the same refusal to conform.

This isn’t nostalgia. It’s a remix. A last exit that became a first return.

ELASTE 1980–1986 — The Book

Apparently, the ’80s weren’t done with us.

Thomas Elsner and Michael Reinboth have unearthed ELASTE — our restless, neon, and nicotine-stained child — and turned it into a 560-page time capsule. Published by DCV, Elaste 1980–1986 brings back the magazine’s beautiful confusion: Warhol, Kraftwerk, Depeche Mode, DAF, and the naïve belief that pop could still save the world.

Now reissued as a best-of anthology, Elaste. 1980–1986 collects original photographs, interviews, and essays from the magazine’s sixteen issues — featuring icons like Andy Warhol, Boy George, and Keith Haring — alongside new reflections by its founders and contributors. It’s a document of an era when print was bold, culture was experimental, and style had an opinion.

Available from DCV Books: Hardcover edition, 560 pages, bilingual version, set to be released on November 19.

#1 The Hannover Mitte

Cris and Michael met at the legendary CASABLANCA in Hannover. Cris just returned from his first trip to New York and inspired by the scene was saying: “I want to publish a magazine.” Michael: “Me too.” We started the next day, snatched Thomas from the turntables at CASABLANCA.  No experience, no funds, no computer, lot’s of glue, fun and music. Three months later ELASTE was launched.

#2 The Robots

#3 The Andy Warhol

#4 The Russians

#7 The Sport and Recreation

#8/9 The Classic

#10 The Psychedelic

#12/13 WHY?

#14 The Patsies

#15 Punk macht dicken Arsch

#16 The Heavy Metal

FASHION IN DISTRESS

On Incentives, Absorption, and the Quiet Loss of Meaning A Calm That Doesn’t Convince There is no collapse to report. The shows are on time. The lights are bright. The rooms are full. Images move faster than ever, slipping from runway to screen to memory without…

Money Killed Fashion. Then Bought the Met Gala.

Luxury didn’t collapse. It didn’t decay. It didn’t betray itself.Luxury simply followed the money and then quietly locked the door behind it. For years, fashion told itself this was progress. Higher prices meant higher meaning. Exclusivity meant excellence. If fewer…

From Duchamp to Demna

When a urinal became art and a hoodie became luxury, something truly magical happened — context started printing money. Luxury Readymade: When Context Costs £1,590 Once upon a time, Marcel Duchamp bought a urinal, signed it R. Mutt,…

Spray Nation

Spray Nation shares unseen photos of New York’s pioneering graffiti artists Women on Train, 1981. All photographs © Martha Cooper, from Spray Nation: 1980s NYC Graffiti Photographs by Martha Cooper, Edited by Roger Gastman © Prestel Verlag, Munich · London · New…

Remembering Starman: Mick Rock’s legendary photographs of David Bowie as Ziggy

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it came Bowie’s alter ego and fellow Londoner and photographer Mick Rock. Ziggy was a glitter-clad, mascara-eyed, sexually ambiguous…

Devo: “Kraftwerk from the waist up, Elvis Presley from the hips down” Gerard Casale and Mark Mothersbaugh on being bombarded by hippies at Knebworth in 1978, being told off by Neil Young, and their unreleased jam sessions with Bowie and Eno in Cologne We are Devo ……

When Andy Warhol Came to China

In late October 1982, Andy Warhol and a small entourage were invited to Hong Kong by Alfred Siu, a young industrialist who had commissioned Warhol portraits of Prince Charles and Princess Diana for I Club, a huge new disco he was opening on the island. Upon arrival,…

Brian Aris’ photographs of Debbie Harry

When photographer Brian Aris first met Debbie Harry in 1977 he didn’t know that much about her and scribbled down the phrase “punk princess” in his diary after the shoot. He could never have predicted that he had just met one of music’s next big icons whose career…

Lorde on David Byrne

On fighting stage fright, staying true to your inspiration, and the mysteries of songwriting It takes only a few minutes after they meet for Lorde and David Byrne to get in sync. The pop star, 24, and the elder statesman, 69, are on the rooftop of…

The Velvet Underground Meets Its Match in Todd Haynes

In the director’s hands, music subjects are as much about their cultural moment as about their sound — a good description of the band led by Lou Reed. Todd Haynes said his music-related films are really about how “the artist, or the genre of music, changes things or…

Sniffin’ Glue

DINNER WITH ANDY

The King of Pop Art, our biggest inspiration, and the most enormous influence in contemporary art were coming to visit the Hinterland.

IN FLAMMEN

DOCUMENTA BOUND – KASSELER KREUZ

Always be Sceptical About Simplicity

Ping Pong mit den Rolling Stones (Deutsch)

Hero For One Day

Looking for the Thin White Duke

Joi Trouvé

“Ein Jahr (Es geht voran),”or “the Great Regression”.

ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

CLUBBED

Rick Banks compiles a visual history of UK club culture Manchester-based designer Rick Banks has compiled three decade’s worth of nightclub graphics into a new book. In a Dezeen exclusive, he picks out five of the most important examples and explains why they…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Tree of Life

INVISIBLE-EXPORTS is proud to present Tree of Life, an exhibition of never-before-seen archival works by Genesis P-Orridge: a suite of 30 recently discovered magic marker drawings from 1974-1975. This is the fourth show of Genesis’s work at the gallery, and the first…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Gay Party Music and Social Media Induced Narcissism

Casey Spooner and Michael Stipe penetrate queerdom.  When Warren Fischer and Casey Spooner formed the electroclash duo Fischerspooner in 1998, they set out to open minds and expose the masses to worlds of art and performance through synth-heavy dance music. They…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Interview with James Turrell

Next month, an extension to our gallery, called Pharos, will open, housing four new works by James Turrell, as well as works by Jean Tinguely, Charles Ross, Richard Wilson and Randy Polumbo. Read more about Pharos here. Elizabeth Pearce: Do the four pieces of yours in…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Is Fashion Modern?

A FULL LIST OF THE 111 ITEMS in the MoMA exhibition. • 501 Jeans (Levi’s). 1947 example from the company archive • A-POC Queen Textile (Issey Miyake). Example from MoMA’s collection • Adidas Superstars. 1983 pair from the company archive • Air Force 1s (Nike). Three…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

F O R E V E R

Sprüth Magers presents FOREVER, a new site-specific work by Barbara Kruger. For this installation, which occupies all four walls and the floor of the Berlin gallery’s main exhibition space, the artist has created one of her immersive room-wraps and several new vinyl…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Great Modern Things

Neon is one of what Andy Warhol called “the great modern things” – a kind of lovely thing that can only exist in the modern world. Neon is up in lights, again. The gaseous element whose glamorous glow has been appropriated by one artist after another since the 1960s…

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WOOD SWIMMER

  “The Woodswimmer,” is a stop-motion music video shot by Brett Foxwell. “Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms.”  “As I began to…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

The Green Box Shop Saves Us All

Musician Frank Ocean headlined New York City’s Panorama Festival at Randall’s Island Park this weekend wearing a T-shirt with a simple message: “WHY BE RACIST, SEXIST, HOMOPHOBIC, OR TRANSPHOBIC WHEN YOU COULD JUST BE QUIET?” In today’s political maelstrom, and the…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

TRUMP TV

We’re Approaching a Major Turning Point in Trump-Era Pop Culture. Critics and audiences alike can be suspicious of art that looks like it wants to have an effect. We like to be unsettled but we also want our politics to be confirmed; some of us disdain “preaching to…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

ZEIT GEIST

German ZEIT Magagzin about ELASTE.  Now on display the original ELASTE in the “Geniale Dilletanten”  exhibition in Dresden’s Albertinum Museum. Einige Leser haben mir nach dem Newsletter vom Montag gemailt, weil sie wissen wollen, wie das…

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INTERVIEW WITH PSYCHIC TV AND “GODSTAR”

SACRED BONES RECORDS presents PSYCHIC TV official music video for ‘Godstar’ directed by AKIKO HADA in 1985. The video also features an interview with GENESIS BREYER P-ORRIDGE commenting on their ‘Godstar’ single and the band’s new pop-oriented musical…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

KEEP IT ALIVE

Keep IT Alive is an exhibition of Alan Vega’s final work, a suite of haunting large-scale paintings he had completed just before his death in July, 2016. Born in Brooklyn in 1938, Vega is known first as one-half of the groundbreaking electro-punk duo Suicide, which…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Anish Kapoor Explores “Urgent Times”

Anish Kapoor has continued to explore the power of pigment by transforming a room into a bright red landscape based on the unseen borders that separate the modern world. The installation, titled Destierro, is on show at the Parque de la Memoria in Argentina – marking…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

OBEY, SYDNEY

Shepard Fairey unveils largest work to date in Sydney. The artwork is a 50m-high and 30m-wide woman with flowers behind her ears, holding a giant waratah – the floral emblem of New South Wales – and the word “OBEY”. It will take around 400 cans of spray paint to…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

OFF – WHITE

In this time of political protest, terrorism, warfare, and the mass displacement of people, what good can mere fashion do? Virgil Abloh, for one, decided that he was going to say something big with his Off-White menswear show in Florence. “It’s my Trojan horse model,”…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Ghosts

Jason Shulman captures the entire duration of a movie in a single image with his series Photographs of Films. Pointing his camera at a screen and making an ultra-long exposure of the film as it plays through, each scene from a movie is overlaid on top on another until…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

TRICKSTER

New York painter Kehinde Wiley’s latest exhibition features portraits of fellow artists, among them Derrick Adams, Sanford Biggers, Rashid Johnson, Wangechi Mutu, Mickalene Thomas and Carrie Mae Weems. Wiley examines the ways in which artists, and people of color,…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

No I.D.. No Identity.

In the cover story for i-D’s Creativity Issue, Tim Walker captures the energy of bright young things Adwoa, Slick, King, Leo and Elliott, against the distinct backdrop of East London.

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Talking God, Sex, Money and Bodybuilding

The Milan-based duo shares their take on contemporary obsessions.– Laura, you’re the first partner in a design office I’ve come across who is also a professional opera singer. Laura Baldassari: In addition to being an opera singer, I’m a painter. Design was not on my…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

A DOCUMENT

Turns Five – “In a political climate that aims to tear us apart, we are reminded of the common capacity to marvel at the power of beauty and creativity. This issue marks a milestone—our five-year anniversary—and ten editions in, we continue to explore questions;…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Memorized

You get the idea, meeting Helmut Lang as I did on a recent afternoon at the Sperone Westwater gallery on Bowery amid his peculiarly assertive, fossil-like memory-foam sculptures, shellacked wall objects (some of which look almost edible, but of course are not), and…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

SOMEDAY WE CAN:

Using her simple trademark linework—black ink on white surfaces — Shantell Martin transforms everything from walls to found objects, ceramics, toys, sneakers, and even the faces and bodies of participants and passersby into a signature visual narrative. This is the…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Good Fences Make Good Neighbors

Ai Weiwei will build more than 100 fences and installations around New York City this fall for “Good Fences Make Good Neighbors,” one of his most large-scale public art projects to date. Mr. Ai, who lived in New York during the 1980s, said this work is a reaction to…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Electronic Renaissance

From 10 March to 23 July 2017 the Fondazione Palazzo Strozzi will be introducing the Florentine public to Bill Viola.  Thus the exhibition is a celebration of Bill Viola’s special relationship with Florence, where his career in video art began when he was technical…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

Chinese Photographer 航 任 Ren Hang Dies (1987-2017)

Ai Weiwei Reflects on the Sadness of Ren Hang’s Photographs. The sudden death of photographer and poet Ren Hang on Feb. 24 shook the art world to its core. His photographs were a radiant celebration of sensuality and the naked beauty of life that he continued to…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

KINGS & QUEENS KOLLECTION

By Karen Bystedt Please Do Not Enter is thrilled to open its first Pop-Up Gallery at the historic Pacmutual Building: 523 W 6th Street, Los Angeles, CA, 90013. Starting on March 1st, our Pop-Up Gallery will feature DTLA based Artist Karen Bystedt with her solo-show:…

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ELASTE MAGAZIN magazine Thomas Elsner Cris Weer Michael Reinboth New York Berlin Hong Kong München

The Future According to Coco

Coco Capitán Sounds Off on Her Gucci Collab for Fall 2017.In the mix of biological prints and crystal sequin body suits were some simply printed tops and parasols on the Gucci runway today. Those poignant pieces, scrawled with phrases like Common sense is not so…

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Ma’ Ma’ Raschplatz Da

»Just what is it that makes today’s home so different, so appealing?«

(Richard Hamilton, 1956)
Wenn der Postmann zweimal klingelt, liegt meist ein kleines Kärtchen in meinem Flur. So auch diesmal »Basement« Hannover Raschplatz. Eröffnung Freitag 12.6.81 22h. Knapp am dreizehnten vorbei, dachte ich und lenkte meinen Wagen einige Tage später durch die trostlose Gegend hinter dem Bahnhof. Beinahe am Ziel angelangt ging ́s dann auch noch in den Keller. Gleißende Leuchtstoffröhren, Pirelli Gummi auf dem Boden, die Decke unverkleidet, hier und da ein bißchen Chrom. Der erste Blick signalisiert, hier wollte jemand der Café– und Diskothekenszene mit ihren pastellfarbigen, schimmernden Barocktempeln eine Ohrfeige verpassen.“