After their 1986 album Black Celebration, new wave legends Depeche Mode fully committed to being the most gloriously gloomy band next to The Cure to appear on stadium stages. Earnest pleas for tolerance like “People are People” and playfully suggestive vamps like “Master and Servant” gave way to atmospheric dirge-y washes and funereal tempos made for moping, not dancing. The move defined them after their early breakout with an image as a kind of New Romantic boy band.

The Depeche Mode of the early 80s was always edgier than most of their peers, even if they looked clean-cut and cherubic. They were also more experimental, drawing from Kraftwerk’s deadpan German disco in their minimalist first single “Dreaming of Me” and making industrial pop in Construction Time Again’s “Everything Counts.” Theirs is a body of work, for better or worse, that launched a hundred darkwave bands decades on, and their very first incarnation may remind indie fans of other lo-fi indie pop artists of recent years.